The Boating Party

Stays in Antibes strengthened Cassatt's interest in bright decorative color. The high viewpoint and compressed planes reflect her study of Japanese prints. The painting became the centerpiece of her first American solo exhibition in 1895. Large color shapes organize the boat and its passengers.

A woman holds a small child. Their close group occupies one end of the boat, facing differently from the boatman.

The boatman is seen from behind. His large figure blocks part of the space and brings the viewpoint close.

The yellow gunwale curves through the painting. Its bright line joins the passengers within one enclosed space.

A pale sail enters from the left. Cropped by the edge, it extends the boat beyond the visible area.

Blue water meets a thin distant shore. Compressed distance and broad color planes reflect the study of Japanese prints.

Cassatt began her training in Pennsylvania, continued in Europe, and joined the Impressionists. Her American solo exhibition brought her painting back to audiences in the United States. This work occupied its central position.